Consider the C sharp major scale as an example. Saying E# (for example) is not wrong, and in some cases it is even the mostĬorrect option to use. Likewise, the E# or B# nomenclature is not usually used, as they are the F and C notes, respectively. It doesn’t make much sense to use this second representation we show it here only for the purpose of understanding. In practice, it is not usual to use the writing (#) or (bb) because it is much easier to write “E” than “D#”, for example. Some representations and their equivalences are listed below to facilitate understanding: Read the next section “What are tones and semitones” to complement this concept. The difference in nomenclature (flat or sharp) serves only to indicate whether we are referring to a note above or below.įor example: D flat is the same as C sharp. 7 out of these 12 notes receive a specific name (C, D, E, F, G, A, B) and the others are identified by a sharp (#) or flat (b) of these notes, also called accidents (or alterations).Ī sharp, by definition, is the shortest distance between two notes in Western music, as well as a flat. In Western music, there are 12 notes: C, C#, D, D#, E, F, F#, G, G#, A, A# and B.
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